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Into Time is a series of lenticular paintings that departs from the traditional concept of painting in that they cannot be experienced instantaneously but must be seen over a duration of time. Some of the works in this series are based on the geometric patterns and color gradations generated through Rozendaal’s website works, intotime.us, intotime.com, and intotime.org.

Rozendaal’s lenticular paintings contain time within them, and as such, it is only by moving our bodies around these works that we can experience them in their entirety. The surface of a lenticular painting functions similarly to that of a screen such as an RGB monitor or an image cast by a projector. But whereas monitors and projectors are media that display images standing in for physical “landscapes” as they change to and fro, the nature of the lenticular medium is such that it becomes the shifting image itself. And just as an actual landscape contains an infinity of views that depend on the position of the viewer, so too does the lenticular. The new lenticular paintings presented in Screen Time reflect the ongoing development of Rozendaal’s sense of colors and their combinations.

(solo exhibition “Screen Time” 2026 TSCA)

Artist Website

“Negative Entropy” is a series of abstract Jacquard woven portraits depicting image information derived from field recordings taken at various industrial and energy production sites. The works are transmediations of field recordings made in specific locations – they are material visualizations of sound waves produced by action. The title of the series, “Negative Entropy”, is taken from a term used in quantum physics that describes the reversal of entropy, i.e. negating the amount of disorder in a system, or, in other words, preserving order in a system.

Artist Site