

FFIGURATI #184
- Credit
- Photo Ⓒ︎Shu Nakagawa faro collection
- Year
- 2019
- Material
- enamel paint, acrylic aerosol paint, sumi ink and latex paint on canvas mounted on stretcher
- Size
- h244 ×w359.6 cm
This exhibition presents the work of Enrico Isamu Oyama, whose unique artistic practice encompasses intersecting cultures to create works that are bold and edgy.
Faro is a shared office space driven by the concept of “working with joy and fulfillment” and seeks to create a space that encourages interaction and stimulates creativity through art, architecture, design, and music. As part of this concept, we have been collecting artwork that can be placed throughout our office facilities. This spring, we established “faro WORKPLACE”, a gallery space within our newly open shared office in Nakameguro. By curating artists from Japan and abroad, this initiative allows us to present works in a more broad and thoughtful way to our audience.
This exhibition is curated from the collection.
Exhibited in the space with an almost overwhelming impressiveness is FFIGURATI #84, extending 3.6 meters in length. FFIGURATI combines the words “graffiti” and “figùra ti” from Italian, meaning “figure of yourself”. While the work is deeply informed by street art, it depicts the symbolic motif of “Quick Turn Structure” which eliminates letters from the visual language of aerosol writing, where writing a name is a form of self-expression, and extracts only the movement of lines, dynamism, spatiality, and plastic elements, which are then repeated and reconstructed.
Along with this powerful work, there will also be drawings on display based on the same motif that have an intimate appeal.
Oyama’s creativity, which comes from his upbringing straddling borders, a practice that is based in New York and Tokyo, and his skillful merging of street culture with contemporary art to continue transcending mediums, will enrich the already lively environment of faro, where people from diverse industries and nationalities gather.
translate/artoka
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Enrico Isamu Oyama creates visual art in various mediums that features Quick Turn Structure: the motif composed of spontaneous repetition and expansion of free flowing lines influenced by aerosol writing of 1970’s-80’s New York and beyond.
Oyama was born in Tokyo to an Italian father of Bavarian descent and a Japanese mother. While growing up there, the family had visited Veneto region in North Italy every summer for more than 2 decades. Going back and forth experiencing Tokyo as megalopolis and North Italy as quiet countryside trained him to view the world from different angles.
Oyama became interested in aerosol writing around the time he lived in Veneto in 2000-01. After returning to Tokyo, he started drawing a line pattern in black and white with three-dimensional depth. Oyama established it as his style in Tokyo underground art scene through early to mid 2000’s.
After attending MFA at Tokyo University of the Arts in 2007-09, he named the motif Quick Turn Structure, and has positioned his practice in the midst of contemporary art and street culture. He has authored the book Against Literacy: On Graffiti Culture, edited the special issue on aerosol writing for Japanese art magazine Bijutsu Techo, and undertook collaboration with brands such as Comme des Garçons and Shu Uemura.
Oyama stayed in New York for 6 months in 2011-2012 as a grantee of Asian Cultural Council. Since then, he lives and works in New York, being active both as an artist and a critic linking contemporary art and street culture at multiple levels. His first museum solo exhibition Ubiquitous: Enrico Isamu Oyama was held at Marianna Kistler Beach Museum of Art (Kansas, US) in 2017.
(copy from artist site)
portrait:
Enrico Isamu Oyama in his Tokyo studio, 2022
Photo ©︎Go Itami
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FFIGURATI #184
FFIGURATI #239
FFIGURATI #124