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© faro WORKPLACE

Alfredo Jaar

The Future is Now

Period
2023.4.28.Fri 7.8.Sat
カレンダーに追加
Location
Nakameguro
アクセス情報を確認する
Cooperation
SCAI THE BATHHOUSE
協力の詳細を確認する

Al f redo Jaar (1956, bor n in Sant iago, Chi le, l ives and works in New York) is a world-renowned ar tist who has exhibited in major museums and international exhibitions worldwide, who also is known as an architect and film director. His works are in museum collections all over the world, such as the Museum of Modern Art and Guggenheim (both in New York), Centre Pompidou (Paris), and his work has been introduced in over 60 publications. In Japan, he was the recipient of the 11th Hiroshima Art Prize in 2018. A solo exhibition of his work is scheduled to open at the Hiroshima City Museum of Contemporary Art in July 2023. Jaar’ s work is known internationally for reflecting modern society and evoking the problems that lie within it. The artist conducts long and meticulous place-based research on human rights violations and social injustice, making deep observations of the information collected in order to get beyond the superficial, shining a light on the truth within and elevating it into a work of art. Materializing his sharp observations through text, neon, and photographs, his work is experienced through all of the senses and has been called the “Art of Illumination.” FARO WORKPLACE is a gallery within a new shared office space FARO, which opens this spring in Nakameguro. The name comes from combining the words “faro” , which means lighthouse or signpost, and “workplace” . By exhibiting contemporary art and introducing artists in the space, we seek to encourage communication and thought on various social issues. The evocative title “The Future is Now” by Jaar reflects our hope for FARO WORKPLACE, and we are overjoyed to be able to open this show here. We hope that our visitors feel the power of the message in Jaar’ s work.

 

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Alfredo Jaar

Alfredo Jaar is an artist, architect, and filmmaker who lives and works in New York. His work has been shown extensively around the world. He has participated in the Biennales of Venice (1986, 2007, 2009, 2013), São Paulo (1987, 1989, 2010, 2021) as well as Documenta in Kassel (1987, 2002). Important individual exhibitions include The New Museum of Contemporary Art, New York; Whitechapel, London; The Museum of Contemporary Art, Chicago; The Museum of Contemporary Art, Rome and Moderna Museet, Stockholm. Major recent surveys of his work have taken place at Musée des Beaux Arts, Lausanne; Hangar Bicocca, Milan; Alte Nationalgalerie, Berlinische Galerie and Neue Gesellschaft fur bildende Kunst e.V., Berlin; Rencontres d’Arles; KIASMA, Helsinki, Yorkshire Sculpture Park, UK and ZEITZ Museum, Cape Town, South Africa. The artist has realized more than seventy public interventions around the world. Over sixty monographic publications have been published about his work. He became a Guggenheim Fellow in 1985 and a MacArthur Fellow in 2000. He received the Hiroshima Art Prize in 2018 and the Hasselblad Award in 2020. His work can be found in the collections of The Museum of Modern Art and Guggenheim Museum, New York; Art Institute of Chicago and Museum of Contemporary Art, Chicago; MOCA and LACMA, Los Angeles; MASP, Museu de Arte de São Paulo; TATE, London; Centre Georges Pompidou, Paris; Nationalgalerie, Berlin; Stedelijk Museum, Amsterdam; Centro Reina Sofia, Madrid; Moderna Museet, Stockholm; MAXXI and MACRO, Rome; Louisiana Museum of Modern Art, Humlaebeck; MAKand MUMOK, Vienna; Hiroshima City Museum of Contemporary Art and Tokushima Modern Art Museum, Japan; M+, Hong Kong; MONA, Tasmania; and dozens of institutions and private collections worldwide.

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  • Works
  • Work Place

Works

  • Be Afraid of the Enormity of the Possible

  • A Logo for America

  • Be Afraid of the Enormity of the Possible

  • Alfredo Jaar "Teach Us to Outgrow Our Madness"

  • This is not America

Be Afraid of the Enormity of the Possible

The work quotes a line from a poem in A Short History of Decay (1949), a collection of

essays by philosopher Emile Cioran (1911-1995). This pessimistic essay is the first book

written in French by Cioran, a Romanian, who had begun to live in Paris after World

War II. Cioran is said to be pessimistic and nihilistic, but on the other hand, he is also

said to be a man who got to the core of human existence, free from sophomoric

idealism and moralizing concepts.

This work made by the neon shines bright with bright red, orange, and yellow, colors that are often used for warning signs. Combined with the capitalized words, they throw attention and arouse interest. The work suggests the importance of the viewer’s own interpretation of the words, which may be perceived in different ways depending on the period, society, and personal interests.

Credit
cortesy of the artist
Year
2015
Material
Neon
Size
122×189cm

A Logo for America

Credit
Photo by Nobutada Omote Cortesy of the SCAI THE BATHHOUSE
Year
1987
Material
Fujiflex print
Size
64.4×50cm (frame size)

Be Afraid of the Enormity of the Possible

The work quotes a line from a poem in A Short History of Decay (1949), a collection of essays by philosopher Emile Cioran (1911-1995). This pessimistic essay is the first book written in French by Cioran, a Romanian, who had begun to live in Paris after World War II. Cioran is said to be pessimistic and nihilistic, but on the other hand, he is also said to be a man who got to the core of human existence, free from sophomoric idealism and moralizing concepts.

This work made by the neon shines bright with bright red, orange, and yellow, colors that are often used for warning signs. Combined with the capitalized words, they throw attention and arouse interest. The work suggests the importance of the viewer’s own interpretation of the words, which may be perceived in different ways depending on the period, society, and personal interests.

Credit
cortesy of the Alfredo Jaar Studo
Year
2015
Material
neon
Size
122×189cm

Alfredo Jaar "Teach Us to Outgrow Our Madness"

by the COVID-19 pandemic. “Teach Us to Outgrow Our Madness” is the title of a mid-length novel written by a Japanese novelist, Kenzaburo Oe (1935-2023) in 1969. The novel was themed on the despair and libration of human beings surviving the nuclear age. The words were taken from a line in a poem by Wystan H.Auden (1907-1973), who is considered by many to be the greatest poet of the 20th century and was an influence on Oe. Auden was born in England but immigrated to the United States, where he wrote many poems about coping with a corrupt society and helping individuals who suffered.

Credit
Alfredo Jaar Studio / faro collelction
Year
2020
Material
PVC adhesive foil matt black mounted on mirror
Size
50.8×50.8 cm

This is not America

Credit
Photo by Nobutada Omote Cortesy of the SCAI THE BATHHOUSE
Year
1987
Material
Fujiflex print face-mounted on plexiglass
Size
61×61cm (frame size)